Recorded in the mid 1960s, this album captures a restrained nocturnal session shaped by distance and control. The quartet moves patiently through open forms, allowing space and hesitation to guide direction. Lines intersect briefly, then recede, leaving tension unresolved. The performance values listening as much as sound, favoring balance over assertion.

最後の電灯 (The Last Streetlight)

夜更けの歩道 (Late Night Sidewalk)

駅裏の静脈 (Behind the Station)

消えかけた信号 (Fading Signal)

影のない交差点 (Intersection Without Shadows)

雨の残り香 (After the Rain)

終電後 (After the Last Train)

狭い空 (Narrow Sky)

距離の測り方 (Measuring Distance)

曲がり角の温度 (Temperature at the Corner)

眠らない舗道 (Awake Pavement)

灯りが遠ざかる (The Light Recedes)

Hiroshi Kaneda piano
Masaru Okimoto trumpet
Kenji Arai upright bass
Toru Nishimura drums

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